剧情:
转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich收起
相关影片
HD中字
HD中字
HD中字
HD中字
HD中字
HD中字
HD中字
HD
HD中字
HD中字
TC抢先版
TC抢先版
HD
HD
正在热播
更多更新第138集
更新9
热播
伊万·麦克格雷格 玛丽·伊丽莎白·温斯特德 碧悠·加德斯顿 利亚 哈维 约翰尼·哈里斯 阿纳斯塔西娅·希尔 保罗·雷迪 比约恩·西鲁·哈瑞森 约翰·赫夫南 Alexa Goodall 费辛蒂·巴洛贡 丹尼尔·切尔奎拉 吉恩-帕斯卡尔·海涅曼德 Dee Ahluwalia Damian Rozanek 莱耶·塞伦 Amy Graham Jason Forbes Gabriel Robinson Rachel Walker
在俄国革命的余波中,Alexander Rostov伯爵发现自己光鲜亮丽的过去将他置于历史的错误面。没有被立刻处决的他,被苏联革命法庭放逐到了大都会酒店的阁楼中,如果他再次踏足户外,将面临死亡。时光流
更新6
更新4
更新2
更新16
更新21
更新13
更新11
更新13
热播
楚生(吕昀峰 饰)跟随秦三爷(郭九龙 饰)在东北做白事行当,为各种各样的死者送葬发丧,在这过程中有很多古怪的丧葬奇闻出现,楚生作为职业白事人和前来探索奇闻的林记者一起走访民间,经历了一个又一个离奇诡异
更新21